FUTURISTIC THINKING ABOUT THE EMERGENCE OF NEW STYLES IN THE ARCHITECTURE OF THE EAST

Abstract

Introduction and purpose: Universal for all epochs and independent of human will, styles still exist in the history. For example, the fact that no style lasts forever looks inevitable from the point of view of such a seemingly far-from-art scientific discipline as information theory. As long as the style is fresh, as long as it is not forgotten which forms have been replaced by innovative finds, creativity makes sense. But if you, as an architect, are going to follow the aesthetics that have prevailed for centuries, then you should not count on the conquest of the public and its delight. Another circumstance that unites all eras and styles is that the forms of works, regardless of what they mean or depict, live their own lives.Materials and methods:Indeed, in the art world, something always happens by itself, regardless of the will of people. For example, the craving for a spacious, uncovered surface of the wall, to which only decorative details are attached here and there, characteristic of Empire architecture, is replaced in just a few decades by an inexplicable horror of unfilled planes. The attractor (from Latin. attrahere – to attract) means a certain set of conditions under which the choice of paths of movement or evolution of different systems occurs along converging trajectories and, ultimately, is attracted to a single point. Spectacular drawings with an infinite number of so-called strange attractors turned out to be the most suitable. Results:In general, in the opinion of an inexperienced person, there are no strange attractors, but it is important for mathematicians to distinguish these latter from their simple counterparts. Primitively speaking, attractors demonstrate the final states to which, under certain conditions, self–organizing dynamical systems strive.Discussion and conclusion:Simple ones are predictable, strange ones are unpredictable, but they give the most spectacular results, forming beautiful spatial figures similar either to multi–dimensional caves, or clouds of intergalactic gases, or the insides of some biological organisms seen through a powerful microscope. It was these graphs that led to the appearance of buildings of completely previously unthinkable shapes.